Many students study a foreign language
have very strange ideas of what will help them to improve. Most teachers have met
students who think that by filling vocabulary books they will be able to speak
better English; many students present with a text will actually want to through
word-by- word and will not see the point of, for example, reading for gist, or
scanning for particular information.
One
of tasks of the language teacher is to help the students to study more
efficiently and more enjoyable. A small but important part of the teaching time
should be spent making students aware of why certain things will help them, and
why other will not. The more students understand about the process of learning
of foreign language, the more they will be able to take responsibility for
their own learning.
1.2 Teaching tips
• Using task
Teacher have been using task for
hundreds of years. Frequently, in the past the task was the piece of
translation often from a literary source. More recently tasks have included
projects for producing, posters, brochures, pamphlets, oral presentation, radio
plays, videos, websites and dramatic performances.
The characteristic of all these tasks
is that rather than concentrating on one particular structure, function or
vocabulary group, these tasks exploit a wider range of language. In many case,
students may also be using a range o different of communicative language
skills.
• What make ‘tasks based learning’
different?
The
traditional way that teacher have used tasks is as a follow-up to a series of
structure\function or vocabulary based lessons. Tasks have been ‘extension’
activities as part of a graded and structured course.
In
task-based learning, the tasks are central to the learning activity. Originally
developed by N Prabhup in Bangladore, southern India , it is based in the belief
that students may learn more effectively when their minds are focused on the
task, rather than on the language they are using.
In the model of task-based learning
described by Jane Willis, the traditional PPP (presentation, practice,
production) lesson is reversed. The students start with the task. When they
have completed it, the teacher draws attention on the language used, making
corrections and adjustments to the students performance. In A framework for
Task-Based Learning, Jane Willis presents a three stage process:
• Pre-task- Introduction to the topic
and task.
• Task cycle-Task planning and
report.
• Language focus- Analysis and
practice.
•Does it work?
Task-based learning can be very
effective at intermediate levels and beyond, but many teachers question its
usefulness at lower levels. The methodology requires a change in the
traditional teacher’s role. The teacher does not introduce and ‘present’
language or interfere (‘help’) during the task cycle. The teacher is an
observer during the task phase and become a language informant only during the
‘language focus’ stage.
All
teachers:
·
Are
involved with content. At whatever level and however defined, they teach
a curriculum of knowledge and understanding, skills and competences, attitudes,
values and beliefs;
·
Are
responsible for learners, whether called children, pupils or students -
teachers do not operate in isolation;
·
Are managers
of learning and, at least for the compulsory years of schooling, the
learning they manage takes place mainly in classrooms.
The teacher is the manager of the classroom
as a learning environment for pupils and, as such, is responsible for all that
goes on within it. The teacher's job is clearly defined as being responsible
for managing the classroom, so that all the learners will absorb as much as
possible in the time available. This sounds very straightforward but, as any
teacher knows, there is much more to it than that!
This guidance is broken down into sections, so
that you can select those topics that you want to examine in detail or skip the
ones with which you are already familiar.
1.3 Assessment of Knowledge Acquisition
At the beginning of this section we
quoted the statement? Teaching without learning is just talk? The way we assess
whether learning is in fact taking place is some sort of "testing".
In the best of all possible worlds, testing should result in a realistic
measurement of both teaching and learning. However, the current
educational environment tends to skew measurement with the weight being placed
on the learner side of the equation.
Before addressing the different types
of assessment, it is instructive to delineate assessment's purposes. The state
that the purpose of assessment are:
1.
To assist student learning.
2.
To identify student's strengths and weaknesses.
3.
To assess the effectiveness of a particular
instructional strategy.
4.
To assess and improve the effectiveness of curriculum
programs.
5.
To assess and improve teaching effectiveness.
6.
To provide data that assist in decision making
7.
To communicate with and involve parents.
Please note that students are mentioned
only twice. Five of the seven purposes of assessment are related to the system
of education that supports student learning. As a whole, this description of
the purpose of assessment is another base from which to approach learner-centered
principles in education as developed by Dr. Barbara McCombs and others.
While
in principle there is general agreement in the education community that the
focus of the education system is the academic development of individual
students, actually applying learner-center principles is difficult if not
impossible within the current model of education. How, for example, do you
develop and execute individualized learning plans for thirty students in a
classroom? The simple answer is that, in the absence of new technologies and
methodologies to improve both teaching and learning, you cannot. While many
other tools are required to support a learner-centered education environment,
dramatically improved assessment methods are the keystone. Sections 1.5
through 1.7 describe the three domains of assessment
Understanding
claims that Authentic Assessment accomplishes the following goals:
·
Requires students to develop responses rather
than select from predetermined options.
·
Elicits higher order thinking in addition to
basic skills.
·
Directly evaluates holistic projects
·
Synthesizes with classroom instruction.
·
Use samples of student work (portfolios)
collected over an extended time period.
·
Stems from clear criteria made known to
students.
·
Allows for the possibility of multiple human
judgments. Relates more closely to
·
Classroom learning Teaches students to evaluate
their own work?
Gardner-Medwin
( 2006) states that CBA provides several distinct advantages over current
assessment methods, including:
·
Encouraging students to think more carefully
about questions in objective tests.
·
Improving student involvement and interest in
the process of self-assessment.
·
Helping students identify uncertainties and
misconceptions in their understanding.
·
Mitigating the effects of guessing on
standardized tests, improving test reliability.
·
Facilitating the setting of questions for
students with a large range of abilities.
·
Providing immediate feedback of results for
teachers and learners.
·
Helping students who lack self-confidence, or
are overly confident.
·
Facilitating remediation.
●Knowledge Acquisition
1.
Present standards-based content to know
a.
Computer generated multi-media presentation in all
subject areas.
b.
Repetitive practice in all subject areas.
c.
Consistent high quality.
2.
Assess certainty in answers
a.
Most easily implemented in fill-in-the-blank, matching,
multiple-choice and true/false.
b.
Possible to implement with other test types.
3.
Measure actionable mastery
a.
Possible for all of the above by measuring and
recording answer latency.
b.
More subtle measures of performance may be developed,
e.g. relating time spent reading a section of material to formative assessment
results thereby deriving overall reading traits like speed and comprehension.
● General Purposes of Testing
1.
To assist student learning.
a.
Provide immediate feedback in real time
b.
Provide graphic representation of progress
c.
Record question level granularity
d.
Make it fun
2.
To identify students? Strengths and weaknesses.
a.
Subject level granularity will clearly reveal level of
success and failure
3.
To assess the effectiveness of a particular
instructional strategy.
a.
Question level granularity will reveal teaching
effectiveness
b.
Agglomeration of class data will discriminate
individual or systemic failures
4.
To assess and improve the effectiveness of curriculum
programs.
a.
Question level granularity will reveal teaching
effectiveness
b.
Agglomeration of class data will discriminate
individual or systemic failures
5.
To assess and improve teaching effectiveness.
a.
Granularity will reveal instructional quality
b.
Granularity will reveal teacher preparation
6.
To provide data that assist in decision making
a.
Provide classroom management with intricate detail
7.
To communicate with and involve parents.
a.
Graphic presentations will aid in communicating with
parents
b.
Details based on small-scale evaluations will help
parents understand the unique characteristic of their child
c.
Progress measurement will aid in earlier intervention
when there is a problem Summative / Authentic Assessment
1. Requires
students to develop responses rather than select from predetermined options
a.
It is possible to merge content presentation with
assessment
b.
It is also possible to offer multiple presentation and
assessment options.
2.
Elicits higher-order thinking in addition to basic
skills
a.
Simulations can be created that stimulate both
deductive and inductive reasoning.
b.
Connecting subject areas for a more elaborate and
enriched understanding, e.g. how developments in timekeeping devices,
3.
Directly evaluates holistic projects
4.
Synthesizes with classroom instruction
a.
Tools can be created to accomplish this integration
5.
Uses samples of student work (portfolios) collected
over an extended time period
a.
Student data of an objective nature can be store easily
and can be used to form both a quantitative and qualitative map
6.
Stems from clear criteria made known to students
a.
Based on empirically derived data individual learning
plans can be created and modified as needed.
b.
Progress against those plans can be accessed in real
time
7.
Allows for the possibility of multiple human judgments
a.
Clever assessments can be created that test judgment
8.
Relates more closely to classroom learning Teaches
students to evaluate their own work
a.
Certainty assessment require the student to self-assess
Curriculum
Design
1. Analysis
of patterns revealed by associating assessment data with lesson plans,
learning/teaching materials, teaching methodologies, etc. coupled with Internet
2.
Enabled pooling of data creates opportunities to
identify effective education elements.
a.
Proven lesson plans, i.e. those associated with high
assessment results, could be accessed and used by teachers as a whole or in
parts.
b.
Diagnostic data could be used to form? Student types? Lesson
plans and curricula could then be associated as effective with certain student
types.
3.
Data-enabled curriculum design; assessment and
standards integration via technology would allow for more complex approaches to
subjects while still meeting education standards.
a.
Integrated, multi-subject designs.
I.
Theory-to-application, e.g. geometry/trigonometry and applications in
navigation, construction, engineering.
II.
Connections designs, e.g. how a watch, sextant and GPS receiver can be the
basis for exploring history, physics, geography, mathematics, etc.
b.
Bounded self-study designs.
c.
Collaborative designs.
1.4 Teaching strategies to support
pupils with learning difficulties
Select
relevant content for the lessons
|
Pupils should be
able to see the relevance of what they do in school. You might consider this
in the resources you select and by drawing on pupils’ everyday experiences.
|
Make
learning experiential and emotional.
|
Draw on the
pupils’ senses and emotions. Provide ‘first hand’ experiences. Ask them to
share opinions. Listen to and value their responses. Provide resources that
require pupils to relate to other people and places – for example, ‘How do
you think he feels…?’
|
Give pupils
a concrete reminder of their learning
|
Use visual
images that can remain on classroom walls as a reminder of what has been
learned.
|
Use
storyboards or sequence boards
|
These can be
used in most areas of the curriculum as concrete support to learning.
|
Give out
information in
manageable
‘chunks’
|
Be careful not
to overload some pupils with too many instructions or details.
|
Use prompt
sheets to reinforce what pupils need to do and the sequence in which they do
it
|
Some pupils
have difficulty remembering a series of oral instructions. Clear oral
instructions should be given, but support these with sheets that remind the
pupils of the order and sequence of what they have to do.
|
Use a
‘buddy’ system to allow pupils to support each other
|
Pupils are less
likely to be frightened of making mistakes if they are working in pairs.
|
Make posters
of key issues
|
Start by
providing the key issues drawn from the text for the pupils. However,
remember that it is important that they develop the skills for themselves.
Pupils need to learn how to distinguish relevant from irrelevant information.
|
Create a
learning environment where pupils can learn from different work areas in the
room
|
This will be
dependent on the pupils’ age and the facilities in the classroom.
|
Introduce
competition
|
This need not
be pupil against pupil – it can be against the clock or themselves.
|
Use these as a checklist. Try those
strategies that you have not used previously.
Allow pupils
some control
|
In this way,
pupils will take responsibility for their own learning. Try giving them
choices – for example, the order in which work is tackled, who they work with
or the resources they might use.
|
Allow pupils to make mistakes
|
Pupils do not
make mistakes to annoy you. If they don’t complete the task correctly, it may
be your explanation that was unclear. Try taking the blame for their mistake
– for example, ‘I didn’t explain that very well – could I have another
try?’ If pupils are in a secure learning environment, they won’t be
worried about making mistakes.
|
Don’t over-react.
|
Try not to
respond to minor issues – for example, a pupil who is talking to the person
behind them might say when challenged, ‘I was just borrowing a rubber’.
Rather than embarking on a dispute about whether this is true or not, it is
better to respond in a low-key manner – for example, ‘You may have been
borrowing a rubber but now I would like you to get on with your work’.
|
Show pupils
respect and you are more likely to
receive it
|
Model the
behaviors you expect of the pupils. Be polite, don’t lose your temper,
apologies if it is in order, and be honest when something upsets you. If a
pupil misbehaves, concentrate on the actions rather than the person. Never
ask why they did what they did because they often don’t know. Ask, ‘What
do you think you did that upset me?’ ‘What could (you, I, we) do to
stop you doing that again?’
|
Keep trusting them
|
Most pupils
want to be liked and want to be part of the group. Understanding that some
pupils choose to misbehave is important and therefore you need to ask why
they are acting as they are. Small gestures from the teacher can affect the
behavior of some children – for example, receiving a smile, being spoken to
or being praised. Pupils need to be given chances to improve their behavior.
|
The
desired outcomes are to:
·
Minimize
disruption to the lesson
·
maintain
your authority
·
remain
calm
·
maintain
the pupil's self-esteem
·
maintain
a positive pupil-teacher relationship
Causes of
escalation of conflict
|
To
de-escalate conflict
|
Increase in
exposed emotion.
|
Stay calm.
|
Pupil feels
threatened.
|
Avoid threats.
Don't stand over the pupil.
|
Conflict with
teacher is viewed as a contest.
|
Focus on
offence and not the offender.
|
Teacher issues
unrealistic ultimatum.
|
Introduce
humour.
|
Pupil feels
'cornered' and has no room for manoeuvre.
|
Give pupil a
choice.
|
Pupil has an
audience and cannot be seen to back down.
|
Separate pupil
and audience.
|
·
How
do I deal with extreme problems?
Draw
on the established system in the school to summon help.
·
Lower
your voice. Do not confront.
·
Sit
down if possible.
·
Do
not touch the pupil.
·
Listen
to the pupil and try to show empathy.
·
Suggest
a simple and immediate next step. Offer two options.
·
Deal
with the issue at a later time when the pupil is calmer and there is no
audience.
·
What
do I say to the pupil in a one-to-one situation?
·
Ask
the pupil to describe the behaviors that upset you.
·
Show
empathy and concern about the behaviors.
·
Talk
about the incident and establish what the problem is.
·
Tell
the pupil you want to help and ask what they think you could do.
·
Determine
how the pupil can improve the behaviors.
·
Agree
actions that may be appropriate - for example, if the pupil feels under
pressure or stressed they can give a non-verbal gesture that alerts you. You
can then take action by moving the pupil.
·
Write
out the agreement, if appropriate.
This area of the site looks at the issue of
behaviors and behavior management in the light of recent research, and
considers a variety of approaches and strategies. It offers practical advice in
the management of pupils with emotional or behavioral problems in the classroom
and considers how to maximize their learning. It examines recent approaches to
the inception of a ‘positive behavior’ curriculum and offers an example of a
school policy to promote positive behaviors. Bullying is also considered, along
with anti-bullying tactics.
Two government websites which you will
find particularly useful are:
·
Behaviors
and attendance: improving behavior and attendance for all
The programmer aims to improve pupil
behaviors and attendance, supporting practitioners through developing a consistent
approach building on the best current practice.
·
Improving
behaviors in schools: positive behavior equals success
Here you will find information on the
Department’s policies to promote inclusion and learning through positive
behaviors. The site contains information on behavior, bullying and Learning
Support Units (in-school centre which work with pupils with behavioral
difficulties).
It is important to realize that some
disruption in the classroom is part of normal school life. Remember, most
pupils want to learn and, given a positive learning environment, they will be
motivated to do so.
Pupils want
to learn when:
|
Danger
signs and times
|
They see the
point of what they are learning.
|
Pupils don't
understand what they are doing or why.
|
They feel
secure, stimulated and challenged.
|
Tasks are too
hard, too easy or lack challenge.
|
They are
engaged in activities that develop their knowledge, understanding and skills.
|
When the pupils
are not engaged in the lesson.
|
They are
learning in their preferred learning styles.
|
Activities last
too long; pupils work continuously outside their preferred learning styles.
|
Their interest
is captured by using a range of stimuli.
|
Lessons are too
predictable and humdrum.
|
They are given
the opportunity to demonstrate what they know, understand and can do through
reviews and summaries as the lesson progresses.
|
Lessons lack
variety of tasks; pupils' progress through the lesson is not monitored.
|
The learning
environment is well managed by the teacher.
|
The structure
of the lesson is not planned; transitions are not timed and therefore not
well managed.
|
The teacher has
high expectations and pupils try to meet them.
|
Pupils are not
aware of what is expected of them; there is no individual support.
|
·
Pupils
who disrupt lessons may demonstrate a range of characteristics:
·
have
difficulty working in pairs or groups because they have relationship problems
·
give
up easily because tolerance levels are low
·
are
unable to remain on task because of poor concentration spans
·
have
never learned 'good' working habits
·
their
education lacks continuity because of truancy
·
lack
personal organization so often poor at timekeeping
·
'mutter'
and 'chatter' to others
·
have
a limited grasp of basic skills
·
are
under functioning, for example gifted or exceptionally able who are bored
because they are not being challenged
·
answer
back if they have an audience
·
present
their work poorly
·
are
defensive and insecure
·
can
be aggressive, verbally and physically
The ABC approach to managing behaviour is
based on the premise that by focusing purely on the behaviour, you are unlikely
to alter or reduce its frequency. Negative attention tends to reinforce
difficult, challenging or unacceptable behaviour. The ABCs are:
A - Antecedents
B - Behaviour
C - Consequences
A - Antecedents
B - Behaviour
C - Consequences
These refer to the contextual and causal
factors of behaviour, such as:
·
The
school in relation to its culture and ethos; behaviour;
·
There
may be in-child factors: specific medical, psychological or neurological
conditions that need to be addressed;
·
Teacher
and adult behaviour - how is this presented and expressed?
·
The
classroom - is it a place that has a positive and purposeful atmosphere, where
pupils and teachers feel valued and work together in a supportive and safe
environment?
·
A
pupil's background is a powerful setting factor for
·
The
curriculum should be clearly matched and differentiated - there should be
planned continuity and appropriate progression;
·
The
style of communication, body language and the language used are significant and
powerful factors in setting a positive and purposeful climate in the classroom;
·
The
rights, rules, routines and responsibilities clearly visible and understood
(often referred to as the 4 Rs).
Provides a framework for success
Builds confidence
Both supportive and corrective
Reduces conflict and tension
Fair and reasonable
Builds confidence
Both supportive and corrective
Reduces conflict and tension
Fair and reasonable
Most pupils are responsive to the 4 Rs of
behaviour management in terms of:
Understanding the rights of others to
learn;
Seeing the need for rules;
Accepting and conforming to class routines;
Exercising, appropriate, responsibility for
their behaviour.
·
Behaviour
·
How
is challenging, unacceptable or difficult behaviour expressed?
·
Where
does it fit on the continuum of need in relation to personal, verbal,
non-verbal and work-skills levels?
·
What
is the goal of that behaviour: attention seeking, demonstrating power, seeking
power, or is it escape by withdrawal?
·
Consequences
There
will be consequences to inappropriate behaviour, which may result in extreme
and difficult situations, or the consequences may be fairly minor. Consequences
follow for both teachers and pupils. Think about:
·
How
will you as the teacher influence those consequences?
·
Will
there be a desired and successful outcome to your actions?
The
underlying approach of this model is to address the antecedents - the setting
factors. The emphasis is on the belief that by addressing the antecedents to
behaviour you are focusing on the contextual issues and these can be approached
through effective classroom management.
·
What
could be the antecedents and consequences of these behaviours?
·
What
approach and action would you take All teachers:
·
Are
involved with content. At whatever level and however defined, they teach
a curriculum of knowledge and understanding, skills and competences, attitudes,
values and beliefs;
· are responsible for learners,
whether called children, pupils or students - teachers do not operate in
isolation;
·
are managers
of learning and, at least for the compulsory years of schooling, the learning
they manage takes place mainly in classrooms.
The teacher is the manager of the
classroom as a learning environment for pupils and, as such, is responsible for
all that goes on within it. The teacher's job is clearly defined as being
responsible for managing the classroom, so that all the learners will absorb as
much as possible in the time available. This sounds very straightforward but,
as any teacher knows, there is much more to it than that!
This guidance is broken down into
sections, so that you can select those topics that you want to examine in
detail or skip the ones with which you are already familiar.
2.6.1 Definition of classroom
management
The
ways in which student behaviour, movement and interaction during a lesson are
organised and controlled by the teacher to enable teaching to take place most
effectively (Richards 1990).
1.6.2 Definition of discipline
To
maintain order and to keep the group on task and moving ahead, not to spot and
punish those students who are misbehaving.
Prevention is better than cure.
Important to keep the primary activities flowing smoothly,
Best teachers anticipate when misbehaviours are likely to occur and intervene early to prevent them. Most effective interventions are subtle, brief, and almost private. Therefore they do not interfere with classroom activities.
Best teachers anticipate when misbehaviours are likely to occur and intervene early to prevent them. Most effective interventions are subtle, brief, and almost private. Therefore they do not interfere with classroom activities.
·
1)
Doesn’t work - reduces behaviour perhaps
·
2)
Ethics - humiliation
·
3)
Teachers are condoning violence. The child might imitate the adults example.
·
4)
Emotional side effects - Fear of school. Hostility and rage. Child feels
undesirable and this lowers self-esteem
·
5)
Prevents the teacher from inter-acting with the child in a more effective
humane way
·
6)
The goals of education can be met by non aggressive means
·
7)
Effective punishment needs to be accurately timed. It's duration, intensity and
specificity need the to be finely balanced. Environmental and cognitive factors
need to be taken into account.
1. Create a climate of trust in the
classroom to encourage curiosity and the desire to learn. Teachers must believe
that children are basically trustworthy.
2. Involve the children in making
decisions about their education. A group consensus should be reached through
collaboration and compromise. Voting should not be used (Why?).
3. Help build the child's self-esteem.
Teachers should value their students and care for them.
4. Understand their students’
reactions, thoughts and feelings from the inside. Student's need to be
understood rather than evaluated and judged.
5. Teachers should be open and honest
with their students.
·
Teachers should know!
1. Make
sure students understand rules and reasons for them.
2. First
violation - warning, discuss alternative behaviours and clarify consequences of
repeated infractions.
3. Find the
underlying causes of misbehaviour.
4. Should
discuss misbehaviour of student with him in private.
5. Do not
address the inappropriate behaviour in a way that would lead to public
humiliation (e.g. sarcasm and ridicule).
6. Teachers
should apologise for mistakes.
7. Respond
to the behaviour of the student in an appropriate way. Do not resort to drastic
measures in addressing a small transgression of the schools code of conduct.
8. Extra
class work, tests and other school related activities should never be used as a
addressing inappropriate behaviour.
1.
Students' safety
2.
Students' respect and care for others
3.
Property in the classroom
4.
Students' efforts at learning
5.
Obedience to the teachers
1.
What is the worst possible thing that could go wrong if a complaint is made?
Pluck up courage. What will happen if the complaint is not made?
2.
Complain directly to the person who is infringing on your rights.
3.
Write out what you are going to say. Practice with a friend.
4.
Make the complaint as soon as possible. Make sure your feelings are under
control before doing so.
1.
Use the "I" statement. For example, "I am disappointed in your
not attending my lesson. I would like to work out some way to prevent this
happening again".
2.
Do not ask "Why?". They will only rationalise their reasons, and this
will prevent them taking on board what you have to say. For example "Why
are you not paying attention in class?". Can you think up some excuses,
that the student could provide?
3.
Do not compare the student with somebody else. For example "I wish you
were as well behaved as your sister". The student will become defensive.
4.
Give the student a chance to correct their behaviour first. For example
"Are you aware that there is a queue, and you need to wait over
there?"
5.
Make just one complaint, avoid "furthermore....".
6.
Do not be sarcastic, as this detracts from the message, and also damage the
relationship you have with the student.
1.
Thank the student for listening and giving up their time. If they have agreed
to change their behaviour, then thank them for that.
2.
Listen to any complaint the student has in turn.
3.
Offer any help that can be given to resolve the conflict.
4.
Schedule another meeting for a later date if this is felt necessary.
1.7 Tips
on class control and management
1.
Interest the class
2.
Avoid personal mannerisms (e.g. speech, dress or gestures)
3.
Be fair
4.
Be humorous
5.
Avoid unnecessary threats - any threats must be carried out, so wild threats may result in the
students calling the teacher's bluff.
6.
Be punctual -
set a good example, avoid a riot, and don't forget to let them leave on time.
7.
Avoid anger -
teachers might regret their actions, students might deliberately provoke
another outburst
8.
Avoid over-familiarity - it is better for a teacher to start off formally and then to loosen
off as she gets to know the students
9.
Offer opportunities for responsibility - this demonstrates the teacher's confidence in
a child, and allows the child to feel partially responsible for what happens in
the classroom.
10.
Focus attention - teachers should focus their requests on specific students. This will
get the rest of the class looking at the pupil concerned, and hushed silence
should follow. General requests can be ineffective.
11.
Avoid humiliating children - they will want to re-establish their loss of face by disrupting even
more. If the teacher is sarcastic, then he can not complain if the child is
sarcastic back.
12.
Be Alert -
good eyesight, move around, insist children remain in their places
13.
Use positive language - "Look in your book", rather than "Do not turn
round". Positive statements tell children what they should do. Negative
statements do not tell students what they should do, but might suggest, to
others, behaviour they may not have thought of.
14.
Be confident -
students will pick up on a lack of confidence, and feel that the teacher is
used to not being obeyed.
15.
Be well-organised - stopping the lesson to fix the overhead, will give an opportunity to
the students to play
16.
Show that one likes children - if the teacher shows a real concern for their
student's education and welfare, then it is unlikely that they would want to
make life hell for her.
what
rule I broke
|
what
I can do to make it better
|
signatures
of student and teacher
|
·
Strategies
fore solving conflicts
Each
child has a turn to say, without interruptions and whilst maintaining eye
contact:
1.
What the other has done to upset them
2.
How they feel about it
3.
What they would like to happen in the future
No
instructions or arguments are allowed. They take turns until all have finished.
The adult acts as a referee only. If they take too long, the adult can make a
judgement, and take action. Older pupils add:
1.
Why did you do it?
2.
Shake hands and apologise
·
A child could be asked to fill in a
form.
name
etc.
|
|
what
I did
|
what
rule I broke
|
why
I did it
|
what
I can do to make it better
|
teachers
comments
|
signatures
of student and teacher
|
2.7.2 Teachers could be asked to fill in a
form
classroom
behaviours questionnaire-frequency per day
0) never 1)
less than once 2) at least once 3) several times 4) many times
|
task avoidance
e.g. day dreaming, chatting, disputing instructions
|
interrupting
teacher e.g. showing off, clowning, lateness
|
defiance of
authority e.g. refusing, swearing at teacher, answering back
|
hindering other
children working e.g. squabbling, interrupting peers, chatting
|
verbal
hostility towards Peers e.g. swearing at Peers, being unkind, teasing
|
physical
hostility towards peers e.g. poking, hitting, tripping, fighting, stealing
|
inconsiderate
interpersonal behaviour e.g. running, pushing, showing, noisy
|
inconsiderate
use of property/equipment/environment
|
over reaction
to normal situations e.g. destroys own work, sulks, storms out of room
|
any other
behaviour not covered above
|
In
the first three weeks of the year the most effective classroom managers:
1.
Achieved more workable systems of rules
2.
were better in touch with their students' needs
3.
Gave clearer directions and instructions (Emmer, Evertson and Anderson, 1980)
In
junior high schools during the first three weeks there was less emphasis on the
teaching of rules and procedures. These teachers became effective by:
1.
Communicating clearly what they expected of their students
2.
Checking up on whether students did what was expected
3.
Providing information to help correct deviant behaviour
4.
Giving students’ responsibility for getting their own work done
The
following behaviouristic techniques can be used:
1.
extinction-ignoring the attention seeking behaviour
2.
Strengthening compatible behaviour-e.g. asking the child before he blurts out
the answer or when he puts his hand up
3.
punishment-as a last resort
1.
Modelling
2. Reinforcing
3. Shaping
successive approximations
4. Contracting-agreeing
with the child what he must do for a period of time in order to receive some
rewards.
·
How
should teachers use their physical presence in class?
As we saw from the comment about a teacher’s
clothes, the teacher’s physical presence play in a large part n his or her
management of classroom environment. And it is not just appearance either. The
way teachers moved, how her or she stands, how physical demonstrative he or she
is- all these play their part in the effective management of a class.
All teachers, like all people, have
their own physical characteristics and habits, and they will take these into
classroom with them. But they are a number of issues to consider which are not
just idiosyncratic and which have a direct bearing on the students’ perception
of us.
.
Proximity
Teacher
should consider how close they want to be to the students they are working
with. Some of the students resent it if the other hand, distance is a sign of coldness.
Teachers should be conscious of their proximity and, in assessing their
students’ reactions to what is happen in the classroom, they should take this
into account.
.
Appropriacy
Deciding how closely you should work
with students is a matter of appropriacy. So is the general way in which
teachers sit or stand In the classrooms. Many teachers created an extremely
friendly atmosphere by crouching down when they work with students in pairs. In
this way, they are at the same level as their seated students. However, some
students find this informality worrying. Some teachers are even happy to seat
on the floor, and in certain situations this maybe appropriate. But in others
it may well lead to a situation where students are put off concentrating.
The entire position teacher take –
sitting on the edge of tables, standing behind a lectern, standing on a raised
dais etc – make strong statements about the kind of person the teachers is. It
is important, therefore, to consider what kind of effect such physical
behaviour has so that we can behave in a way which is appropriate to the
students we have and the relationship we wish to create with them if we want to
manage a class effectively, such a relationship as crucial.
. Movement
Some
teachers tend to spend most of their class time in one place-at the front of
the class, for example, or to the side, or in the middle. Other spends a great
deal of time walking from side to side, or striding up and down the aisles
between the chairs. Although this, again, is to some extent a matter of
personal preference, it is worth remembering that motionless teachers can bore
students, whilst teachers who are constantly in motion can turn their students
into tennis- match spectators, their heads moving from side to side until they
become exhausted.
Most successful teacher move around the
classroom to some extent, that way they can retain their students interest (if
they are leading an activity) or work more closely with smaller groups (when
they go to help a pare or groups).
How much the a teacher moves around in
the classroom, then depend on his or her personal style, where she or he feels
most comfortable for the management of the class, how she or he feels it is the
easiest to manage the classroom effectively, and whether or not she or he wants
to work with smaller groups.
.
Contact
Much
of what we have said is about the issue of contact. How can teachers make
contact with students? How close should that contact be?
In order to manage a class
successfully, the teachers has to be aware of what students doing and, where
possible, how they are feeling. This means watching and listening just as
carefully as teaching. It means bring
able to move around the class, getting the level of proximity right. It means
making ice contact with students (provided that this is not culturally
inappropriately.
It is almost impossible to help
students to learn a language in a classroom seating without making contact with
them. The exact nature of this contact will vary from teacher to teacher and
from class to class.
The teacher’s physical approach and
personality in the class is one aspect of class management to consider. Another
is one of the teacher’s chief tools: the voice.
·
How
should teachers use their voice in class?
Perhaps the teacher’s most important
instrument is the voice. How we speak and what our voice sounds like have a
crucial impact on classes. When considering the use of the voice in the
management of teaching there are three issues to think about.
.Audibility
Clearly, teachers need to be
audibility. They must be sure that the students at the back of the class can
hear them just as well as those at the front. But audibility cannot be divorced
from voice quality: a rasping shout is always unpleasant.
Teachers do not have to shout to be
audible. In fact, in most classrooms, there is a danger of the teacher’s voice
being too loud. Good teacher try to get this balance between audibility and
volume just right.
. Variety
It is important for teachers to vary the
quality of their voice-and the volume they speak at – depending on the type of
lesson and the type of activities. So the kind of voice you use to give
instruction or introduce a new activity will be different from the voice which
is most appropriate for conversation or an informal exchange of view or
information.
In one particular situation, teachers
often use very loud voices, and that is when they want students to be quiet or
stop doing something. But it is worth pointing out that is speaking quietly is
often just as effective a way of getting the students’ attention since, when
they realize that you are talking, they will want to stop and listen in case
you are say something important or interesting. However, for teachers who
almost never raise their voices, the occasional shouted interjection may have
an extremely dramatic effect, and this can something be beneficial.
. Conservation
Like opera singers, teachers have to
take great care of their voices. It is important that they breathe correctly
from the diaphragm so that they don’t strain their larynxes. It is important
that they very their voice throughout a day, avoiding shouting wherever
possible, so that they can conserve their vocal energy. Conserving the voice is
one thing teachers will want to take into account when planning a day’s or a
week’s work.
1.8 How should teachers mark the
stages of a lesson?
If as we said, the teacher needs to
provide variety, then clearly he or she will have to include different stages
in his or her lessons.
When he or she arrives in the
classroom, the teacher needs to start the lesson off. Where possible and
appropriate he or she needs to tell the students what they will be doing or, in
the different kind of lesson, needs to discuss with them what they are hoping
to achieve.
Teachers do not always explain exactly
what they are going to do, however since they some time want to maintain an
element of surprise. But even in such cases, a clear start to the lesson is
necessary just as a play often starts with the rise of the curtain or a visit
to the doctor starts when he or she asks you, ‘Now then, what seem to be the
problem?’ Or ‘How can I help you?’
When an activity has finished and\or
another one is about to start, it helps if teachers make this clear through the
way they behave and the things they say. It helps students if they are made
clearly aware of the end of something and the beginning of what is coming next.
Frequently, teachers need to re-focus the students’ attention, or point it in
new direction.
In order for such changes of direction
to be, the teachers first need to get the students’ attention. This can
sometime be difficult, especially when teachers try to draw a speaking activity
to a conclusion, or students’ attention. Some speak loudly, saying thing like,
Thank you……. Now can I have your attention please? Or ‘OK ….thanks……let’s all
face the front shall we?’ another method is for the teacher to raise his or her
hand. When individual students see this, they raise their hand briefly in reply
to indicate that they are now going to be quiet and wait for the next stage.
Finally, when an activity or a lesson
has finished, it helps if the teachers is able to provide some kind of
closure-a summary of what has happened, sometime, teachers find themselves In
the middle of something when he bell goes, and a sense of incompleteness. It is
much better to round the lesson off successfully.
·
What is
the best seating arrangement for a class?
In many classrooms around the world
students’ site in orderly rows, sometime their chairs have little wooden
palettes on one of the arms as surfaces to write on. Sometime, the students
will have desks in front of them. It is not unknown to find the chairs bolted
to the floor. At the front of such classroom, frequently on a raise platform
(so that all the students can see them) stand the teachers. In contrast, there
are other institutions where you can find students sitting in a large cycle
around the walls of the classroom. Or you will see small groups of them working
in different parts of the room. Sometime they are arranged in a horseshoe shape
around the teacher. Sometime it is not immediately obvious who the teacher is.
Different seating arrangements
·
Separate tables
·
Circle
·
Solowork
·
Horseshoe
·
Orderly rows
Clearly we are seeing a number of
different approaches in the different arrangement of chairs and tables and this
raise number of questions. Are schools which use a variety of seating plans of
progressive or merely modish, for example? Is there something intrinsically
superior about rigid seating arrangement – or are such classrooms the product
of traditional orthodoxy? Is one kind of seating arrangement better than
another? What are the advantages of each? The following discusses these various
arrangements.
Orderly rows
When the students sit in rows in
classroom, there are obvious advantages. It means that the teacher has a clear
view of all the students and the students can all see the teacher –in whose
direction they are facing. It make lecturing easy, enabling the teacher to
maintain eye contact with the people he or she is talking to. It also make
discipline easier since it is more difficult to be disruptive when you are
sitting in a row. If there are aisles in the classroom, the teachers can easily
walk up and down making more personal contact with individual students and
watching what they are doing.
Orderly rows imply teachers working
with the whole class. Some activities are especially suited to the kind of
organization: explaining a grammar point, watching a video, using the board,
demonstrating text organization on an overhead transparency which shows a
paragraph, for example. It is also useful when students are involved in certain
kinds of language practice. If all the students are focused on a task, the
whole class gets the same messages.
When teachers are working with the
whole class sitting in orderly rows, it is vitally important to make sure that
they remain in contact with the students and they keep every one involved. So,
if they are asking question to the class, they must remember to ask students at
the back, the quiet one perhaps, rather than just the one nearest them. They
must move round so that they can see all the students to gauge their reactions
to what’s going on.
One trick that the teachers use is to
keep their students guessing. Especially where teachers need to ask individual
students questions, it is important that they should not do so in order,
student after student, line by line. That way, the procedure becomes very tedious
and the students know when they are going to be asked again. It is must better
to ask students from all parts of the room in apparently random order. It keep
every one their toes!
In any classroom of the world, teachers
are faced with classes of anywhere between 40 and 200 students at a time. In
such circumstances, orderly rows may well be the best or only solution.
Circles
and horseshoes
In smaller classes, many teachers and
students prefer circles or horseshoes. In a horseshoe, the teachers will probably
be at the open end of the arrangement since that may well be where the board,
overhead projector and\ or tape recorder are situated. In a circle, the
teacher’s position-where the board is situated –is less dominating.
Classes which are arrange in a circle
make quite a strong statement about what the teacher and the students believe
in. the round table in the legends about king Arthur was designed by him
specially so that there would not be arguments about who was more important
than who-and that included the king himself when the were in a meeting. So it
is in classroom. With all the people in the room sitting in a circle, there is
afar greater feeling of equality than when the teacher stays out at the front.
This may not be quite so true of the horseshoe shape where the teacher is often
located in the central position, but even here the teacher has a much greater
opportunity to get close to the students.
If,
therefore, teachers believe in lowering the barriers between themselves and
their students, this kind of seating arrangement will help. There are other
advantages too, chief among which is the fact that all the students can see
each other, in an ‘orderly row’ classroom you have to turn round – this is away
from the teacher – if you want to make eye contact with some one behind you. In
a circle or a horseshoe, no such disruption is necessary. The classroom is thus
a more intimate place and the potential for students to share feelings and
information through talking, eye contact or expressive body movements (eyebrow-
raising, shoulder-shrugging etc.) is far greater.
Separate tables
Even circles and horseshoes seem rather
formal compared to classes where students are seated in small groups at
individual tables. In such classroom, you might see the teacher walking around
checking the students’ work and helping out if they are having difficulties-
prompting the students at this table, or explaining something to the students
at the table in the corner.
When students are sitting in small
groups at individual tables, the atmosphere in the class is much less
hierarchical than in other arrangements. It is much easier for the teacher to
work at one table while the other gets on with their own work. It feels less
like teacher and students and more like responsible adults getting on with the
business of learning.
However, this arrangement is not
without its own problems. In the first place, students may not always want to
be with the same colleagues: indeed, their preferences may change over time.
Secondly it makes whole-class’ teaching more difficult, since the students are
more diffuse and separated.
The way students sit, says a lot about
the style of the teachers or the institution where the lessons take place. Many
teachers would like to rearrange their classes so that they are not always
faced with rows of bored faces. Even where this is physically impossible – in
terms of furniture, for example- there are thing they can do to achieve this as
we shall see in the next section.
1.9 What different students grouping can
teachers use?
Whatever the seating arrangements in a
classroom, students can be organized in different ways: they can work as a
whole class, in groups, in pairs, or individually.
.
Whole class
as we have seen, there are many occasions when
a teacher working with the class as a whole is the best type of classroom
organization. However, this does not always mean the class sitting in orderly
rows; whatever the seating arrangement, the teacher can have the students focus
on him or her and task in hand.
Groupwork and pairwork
these
have become increasingly popular in language teaching since they are seen to
have many advantages. Groupwork is a cooperative activity: five students,
perhaps, discussing a topic, doing a roll- play or solving problem. In group,
students tend to participate more equally, and they are also more able to
experiment and use the language than they are in a whole- class arrangement.
Pairwork has many of the same
advantages. It is mathematically attractive if nothing else; the moment
students get into pairs and start working on a problem or talking about
something, many more of them will be doing the activities than if the teacher
was working with the whole class, where only one student talk at a time.
Both pairwork and groupwork give the
students chances for greater independence. Because they are working together
without teacher controlling every move, they take some of their own learning
decisions, they decide what language to use to complete a certain task, and they
can work without the pressure of the whole class listening to what they are
doing. Decisions are cooperatively arrived at responsibilities are shared.
The other great advantages of groupwork
and pairwork (but especially groupwork)is that they give the teachers the
opportunity to work with individual students. While group A and C are doing one
task, the teacher can spend some time with group B who need special attention.
Neither
groupwork nor pairwork are without their problems. As with ‘separate table’
seating, students may not like the people they are grouped or paired with. In
any one group or pair, one student may dominate while the others stay silent.
In difficult classes, groupwork may encourage students to be more disruptive
than they would be in a whole- class setting, and, especially in a class where
the students share the same first language, they may revert to their first
language, rather than English, teacher is not working with them.
Apart from groupwork and pairwork, the
other alternative to whole- class teaching is solowork.
Solowork
this
can have many advantages: it allows students to work at their own speed, allows
them thinking time, allows them in a short, to be individuals. It often
provides welcome relief from the group-centered nature of much language
teaching. For the time that solowork takes place, students can relax their
public faces and go back to considering their own individual needs and
progress.
How
much teachers use groupwork, pairwork or solowork depends to a large extent on
teacher style and students preferences. Do the students actually enjoy
pairwork? What do they get out of it? Do the advantages of Groupwork-
cooperation, involvement, autonomy – out weigh the advantages of whole class-
group- clarity, dramatic potential control? Do the students work
conscientiously during solowork sessions?
Good
teachers are able to use different class grouping for different activities.
While they do this, they will monitor which is more successful and for what, so
that they can always seek to be more affective.
1.10 How can teachers evaluate the success
or failure of their lesson?
All teachers, whether at the start of
their careers or after some years of teaching, need to be able to try out new
activities and techniques. It is important to be open to such new ideas and
take them into the classroom.
But such experimentation will be of
little use unless we can then evaluate these activities. Were they successful?
Did the students enjoy them? Did they learn anything from them? How could the
activities changed to make them more effective next time?
One
way of getting feedback is to ask students simple questions such as did you
like that exercise? Did you find it useful? And see what they say. But not all
students will discuss topics like this openly in class. It maybe better to ask
them to write their answers down and hand them in.
Another
way of getting reaction to new techniques is to invite a colleague into the
classroom and ask him or her to observe what happens and make suggestion afterwards.
The class should also be videoed.
In general, it is a good idea to get
students’ reaction to lessons and their aspirations about them, clearly stated.
Many teachers encourage students to say what they feel about the lessons and
how they think the course is going. The simplest way to do this is to ask
students once every fortnight for example, to write down two things they want
more of and two things they want less of. The answer you get may prove a
fruitful place to start a discussion, and you will then be able to modify want
happens in class, if you think it appropriate, in the light of your students’
feeling. Such modifications will greatly enhance the teachers’ ability to
manage the class.
Good teacher managers also need to
assess how el their students are progressing. This can be done through a
variety of measures including homework assignments, speaking activities where
the student scores the participation of each students, and frequent small
progress tests. Good teachers keep a record of their students’ achievements so
that they are always aware of how they are getting on. Only if teachers keep
such kind of progress records can they begin to see when teaching and learning
has or has not been successful.
Conclusion:
In this chapter we have
●
discussed the teacher’s physical presence saying that we should pay attention
to our proximity to the students, think about how much we move around the class
and consider the appropriacy of our behaviour in general.
● said the teacher need to make contact
with their students, especially eye contact.
● discussed the fact that teachers need
to be clearly audible without shouting in a disagreeable way and stressed the
need for variety in the way teachers use their voices. Different activities
call for different voices, and the varied use of the voice makes for more
interesting classes.
● mention that it is more important for
teachers to conserve their voice, perhaps their important instruments.
● emphasized that teachers need to make
stages and change of activities clearly sp that students know what is going on.
We said that successful teachers knew how to start classes and also how to
close them so that there was a feeling of completeness.
● looked at different ways of arranging
a class physically, from orderly rows to separate tables.
● discussed the uses of ‘orderly row’
classroom and said that teachers need to keep in tough with what’s going on and
involve all the students in such a situation.
● suggested that circles, horseshoes,
and, especially, separate tables make a class less regimented and teacher-
dominated, whilst recognizing that rows have their uses and that the other
arrangement are no without disadvantages.
Looked at the way teachers group
students: whole class, groupwork, pairwork, and solowork.
We have stressed the advantages of
groupwork and pairwork and looked at times when solowork come as a great relief
to students. Whole-class teaching is extremely beneficial in certain
circumstances too.
Said that teachers need to try out new
techniques and that crucially they need to evaluate them too. In particular,
they need to be able to find out whether the students found them useful and\or
enjoyable. We show ways of doing this.
·
Finished
by suggesting that teachers can use a variety of means to keep track of their
students’
progress-an important part of class management.
1.11
How to describe learning and teaching
·
What do
we know about language learning?
Outside the context of any classroom,
all children who are repeatedly exposed to a language will in normal
circumstances learn it. They do this unconsciously-rather than as a form of
study.
Most
adults can learn a language without studying it, providing they are in the
right kind of contact with it. Though they may have more trouble with
pronunciation and grammar than younger learners, they may still be able to
communicate fluently.
However, not all adults who come into
contact with a foreign language learn it. They might not want to. Perhaps the
language they come into contact with is, in their view, just too complex for
them, perhaps they don’t hear or see enough of it or have sufficient
opportunities to try it out.
Children and adults who do acquire
language successfully outside the classroom seem to share certain similarities
in their language experiences. First of all, they are usually exposed to
language which they more or less understand even if they can not produce the
same language spontaneously themselves. Secondly, they are motivated to learn
the language in order to be able to communicate. And finally, they have
opportunities to use the language they are learning, thus giving themselves
chances to flex their linguistic muscles-and check their own progress and
abilities.
Babies
and children get endless exposure to their first coupled with emotional
support. Adults living a foreign country get continual exposure to the language
at various different levels and can get help from the surround language
speakers.
All these features of natural language
acquisition can be difficult to replicate in the classroom, but there are
elements which we should try to imitate.
What elements are necessary for successful
language learning in classroom?
Classroom students don’t usually the
same kind of exposure or encouragement as those who- at whatever age- are
picking up’ the language. But that does not mean they cannot learn language if
the right conditions apply. Like language learners outside schools, they will
need to be motivated, be exposed to language, and given chances to use it. We
can therefore say what elements need to be present in a language classroom to
help students learn effectively. We will call this element ‘ESA’, three
elements which will be present in all –or almost all- classes. They are
Engage
This is the point in the teaching
sequence where teachers try to arouse the students’ interest, thus their
emotions.
Most people can remember lesson at
school which were uninvolving and where they ‘switched off’ from what was being
taught them. Frequently, this was because they were bored because they were not
emotionally engaged with what was going on. Such lessons can be contrasted with
lesson where they were amused stimulated or challenged. It seems quite clear
that lessons involved not only more ‘fun’, but also better learning.
Activities
and materials which frequently engage students include: game (depending on age
and type) music, discussions (when handled challengingly), stimulating
pictures, dramatic stories, amusing anecdotes etc. but even where such
activities and material are not used teachers will want to ensure that their
students engage with the topic, exercise or language they are going to be
dealing with. They will ask students what they think of a topic before asking
them to read about it, for example. They will look at the picture of a person
and be asked to guess what their occupation is before they listen to that
person on tape will have been stimulated by the fact that teacher (who normally
dresses very formally and always stays in the same place in class) suddenly
arrives in class dressed casually and moves around the room with unaccustomed
ease and so on.
When
students are engaged, they learn better than when they are party or wholly
disengaged!
Study
Study activities are those where the
students are asked to focus in on language (or information) and how it is
constructed. They range from the study and practice of a single sound to
investigation of how a writer achieves a particular effect in along text; from
an examination and practice of a verb tense to the study of a transcript of
informal speech to discuss spoken style.
Students
can study in a variety of different style: the teachers can explain grammar,
they can study language evidence to discover grammar for themselves, they can
work in group studying a reading text or vocabulary. But whatever the style,
study means any stage at which the construction of language is the main focus.
Some typical areas for study might be
the study and practice of the vowel sound in ‘ship’ and ‘sheep’ (e.g. ‘chip,
cheap, dip, deep, bit, beat’ etc.), the study and practice of the third person
singular of the present simple (He sleep, She laughs, It works’ etc), the study
and practice of inviting patterns (‘Would you like to come to the cinema\ to a
concert? etc.), the study and practice of the way we use pronoun in written
discourse (e.g. ‘A man entered a house in Brixton. He was tall with an unusual
hat. It was multicoloured …etc.) the study and practice of paragraph
organization (topic sentence, development, conclusion) or of the rules ‘make’
and ‘do’.
Successful
language learning in a classroom depends on a judicious blend of subconscious
language acquisition (through listening and reading, for example) and the kind
of study activities we have looked at here.
Activate
This element describes exercise and
activities which are designed to get students using language as freely and
‘communication’ as they can. The objective for the students is not to focus on
language construction and\or practise specific bite of language (grammar
pattern, particular vocabulary items or functions) but for them to use all and
any language which may be appropriate for a given situation or topic. Thus,
Activate exercises offer students a chance to try out real language use with
little or no restriction – a kind of rehearsal for the real world.
Typical Activate exercise include
role-plays (where students act out as realistically as possible, an exchange
between a travel agent and a client, for example) advertisement designed (where
the students write and then record a radio commercial, for example) debates and
discussion, ‘Describe and Draw’ (where one students try to get another to draw
a picture without that other students being able to see the original) and poem
writing, writing I groups etc.
If
students do not have a chance to Activate their knowledge in the safety of a
classroom, they may find transferring language acquisition and study into
language use in the real world far more problematical.
These ESA elements need to be present
in most lessons or teaching sequences. Whether the main focus of the lesson is
a piece of grammar (in which case there will be opportunities for studying and
Activation), or whether the focus is on reading (where there may be a lot of
Activation of language knowledge in the processing of the text, but where, at
some stage, the students will also study the construction of that text or the
use of some language within it), students to be Engaged, if possible, so that
they can get the maximum out of the learning experience. Most students will
want to have studied some aspect of language, however small or of short
duration, during a lesson period.
There
are some exceptions to this, of course, notably in classes where an Activation
exercise takes up a lot of time, for example, with a debate or a role-play or a
piece of extended writing. In such cases, teachers may not want to interrupt
the flow of Activation with a study stage. But they will want to use the
exercise as a basis for previous or subsequent study of language aspects which
are crucial to the activity. The same might be true of an extended study period
where chances for Activation are few. But, in both these case, the only
limitation is time. The missing elements will appear, only perhaps later.
The majority of teaching and learning
at lower levels in not made up of such long activities, however. Instead, it is
far more likely that there will be more than one sequence or period.
To
say that the three elements need to be present does not mean they always have
to take place in the same order. The last thing we want to do is bore our
students by constantly offering them the same predictable learning patterns. It
is instead, our responsibility to vary the sequences and content of our
lessons, and the different ESA patterns that we are now going to describe show
how this can be done.
1.12 How do the three elements of ESA fit
together in class sequences?
One
type of teaching sequence takes students in a straight line: first the teachers
gets the class interested and Engaged, then study something and they then try
to Activate it by putting it into production. Here is an example of such a
‘Straight Arrows’ sequence designed for elementary-level students.
Engage
Students
and teachers look at a picture or video of modern robots. They say what the
robots are doing. They say why they like or don’t like robots.
Study: the
teachers shows students (the picture of) a particular robot. Students are
introduced to ‘can’ and ‘can’t’ (how they are pronounced and constructed) and
say thing like ‘It can do mathematic’ and ‘It can’t play the piano’. The
teachers tries to make sure the sentences are pronounced correctly and that the
students use accurate grammar.
Activate: students
work in groups and design their own robot. They make a presentation to the
class saying what their robot can and can’t do.
We ca represent this kind of lesson in
the following way.
EAS
● Engage
●
Study
●
Activate
ESA
straight Arrows sequence
Straight Arrows lessons sequence work
very well for certain structures. The robot example above clearly shows how
‘can’ are constructed and how they are used. It gives students a chance to practise
the language in a controlled way (during the study phase) and then gives them
the chance to Activate the ‘new’ language in an enjoyable way.
However, if we teach all our lessons
like this, we may not be given our students’ own learning styles a fare chance.
Such a procedure may work at lower levels for straightforward language, but it
might not be so appropriate for more advanced with complex language.
Thus,
while there is nothing wrong with going in a straight line-for the right
students at the right level learning the right language – it is not always
appropriate. Instead, there are other possibilities for the sequence of the ESA
elements. Here, for example, is a Boomerang procedure.
Engage
Students and teachers discuss issue
surrounding job interviews. What make a good interviewee? What short of thing
does the interviewer want to find out? The students get interested in the
discussion.
Activate
The teacher describes an interview
situation which the students are going to act out in a role-play. The students
plan the kind of question they are going to ask and the kind of answers they
might want to give (not focusing on language construction etc. but treating it
as a real-life task). They then role-play the interviews. While they are doing
this, the teacher makes a note of English mistakes they make and difficulties
they have.
Study
![Cycle Diagram](file:///C:/Users/admin/AppData/Local/Temp/msohtmlclip1/01/clip_image003.gif)
Activate
Some time later, students role-play
another job interview, bringing in the knowledge the gained in the study
phrase.
The
diagram for boomerang lessons represents this procedure in the following way.
In the sequence the teacher is
answering the needs of the students. They are note taught language until and
unless they have shown (in the Activate phase) that they have a need for it. In
some ways, this makes much better sense because the connection between what
students need to learn and what they are taught is more transparent. However,
it places a greater burden on the teachers since he or she will have to be able
to find good teaching material based on the (often unforeseen) problem thrown
up at the Activate stage. It may also be more appropriate for students at
intermediate and advanced levels since they have quite a lot of language
available for them at the Activate stage.
The two we’ve shown so far demonstrate
two different approaches to language teaching. In straight arrows sequence the
teacher knows what the students needs and takes them logically to the point
where they can activate the knowledge which he or she helped them to acquire.
For boomerang sequence, however the teachers select the task the students need
to perform deciding what they need to study.
Many lessons aren’t quite as clear-cut
as this, however. Instead, they are a mixture of procedure and mini-procedure,
a variety of episodes building up to a whole. Here is a example of this kind of
‘Patchwork’ lesson
Engage
Students look at a picture of
sunbathers and respond to it by commenting on the people and the activity they
are taking part in. Maybe they look at each other’s holiday photos etc.
Activate
Students act out a dialogue between a
doctor and a sunburn victim after a day at the beach.
Activate
Students look at the text describing
different people and the effects the sun has their skin. They say how they feel
about it.
Study
The teachers does vocabulary work on
word such as ‘pale, fair-skinned, freckles, tan’ etc., ensuring that the
students understand the meaning, the hyphened compound nature of some of them,
and that they are able to say them with the correct pronunciation in
appropriate contexts.
Activate
Students describe themselves or people
they know in the same kind of ways as the reading text.
Study
The teacher focuses the students’
attention on the relative clause construction used in the text (e.g. ‘I’m the
type of person who always burns’, ‘I’m the type of person who burns easily).
The use of the ‘who’ clause is discussed and students practise sentence saying
thing like they’re the kind of people who enjoy movies’ etc.
Engage
Teacher discusses advertisements with
the students. What are they for? What different ways do they try to achieve
their effect? What are the most effective ads the students can think of?
Perhaps the teacher plays some radio commercials or put some striking visual
ads on an overhead projector.
Activate:
The
students write a radio commercial for a sunscreen. The teacher lets them record
it using sound effects and music.
The
patchwork diagram for this teaching sequence is shown on the text next page.
Such classes are very common,
especially at intermediate and advanced levels. Not only do they probably
reflect the way we learn – rather chaotically, not always in a straight
line-but they also provide an appealing balance between Study and Activation,
between language and topic. They also give the students the kind of
flexibility.
·
What
teaching models have influence current teaching practice?
For as long as people have been
learning and teaching languages, there has been continual debate about how to
describe the process and what the best ways of doing it are. Much current
teaching practice is the direct result of such constructive argument.
There have been some traditional
language learning techniques that have been used for many years. In more
current times, there have been five models teaching models which had a strong
influence on classroom practice – and which teachers and trainers still refer
to . They are grammar – translation, Audio-legalism, PPP, Task-Based Learning,
and communicative Language teaching.
Grammar-translation
There was probably the most commonly
used way of learning languages for hundreds of years –and it is still practised
in many situations. Practitioners think that, by analyzing the grammar and by
finding equivalents between the students’ language and the language to be
studied, the students will learn how the foreign language is constructed.
It is certainly true that the most
language learners translate in their heads at the various stages anyway, and we
can learn a lot about a foreign language by comparing part of it which part of
our own. But a concentration on grammar- translation stops the students from getting
the kind of natural language input that will help them acquire language
knowledge, and it often fails to give them opportunities to activate their
language knowledge. The danger with grammar- translation, in other words, is
that it teaches people about the language and doesn’t really help them to learn
the language itself.
Audio-lingualism
This
is the name given to a language- teaching methodology based heavily on
behaviourist theories of learning. These theories suggested that much learning
is the result of habit formation through conditioning. As a result of this,
audio-lingual classes concentrated on long repetition-drill stages, in teacher
hoped that the students would acquire good language habits. By rewarding
correct production during these repetition phases, students could be
conditioned into learning the language.
Audio-lingualism (and behaviourism)
went out of fashion vecause commentators from all sides argued that language
learning was far more subtle than just the formation of habits. For example,
students are soon able to say thing they have never heard or practiced before
because all humans have the power to be creative in language based on the
underlying knowledge they have acquired- including rules of construction, and a
knowledge of when a certain kind or form of language is appropriate.
Methodologists were also concerned that in audio-lingualism students were not
exposed to real or realistic language.
However, it is interesting to note that
drilling is still popular (in a far more limited way) during the study phase,
especially for lo0w-level students.
PPP:
this stands for PRESENTATION, PRACTICE and PRODUCTION and is similar to the
straight arrows kind of lesson described above. In PPP classes or sequences,
the teacher presents the context and situation for the language (e.g.
describing a robot), and both explain and demonstrates the meaning and form of
the new language (‘can’ and ‘can’t’) the students then practise making
sentences with ‘can’ and ‘can’t’ before going on to the production stage in
which they talk more freely about themselves (‘I can play the viola but I can’t
play the drums’) or other people in the real world (e.g. ‘My girlfriend can
speak Spanish’ etc.) As with straight arrows lessons, PPP is extremely
effective for teaching simple language at lower levels. It becomes less
appropriate when students already know a lot of language, and therefore don’t
need the same kind of marked presentation.
Task-based learning
Here
the emphasis is on the task rather than the language. For example, students
might be encouraged to ask for information about train and bus timetables and
to get the correct answers (that is the task). We give them the timetables and
they then try and complete the task (after, perhaps, hearing someone else do it
or asking for examples of the kind of language they might want to use). When
they have completed the task, we can then, if necessary-and only if
necessary-give them a bit of language study to clear up some of the problems
they encountered while completing the task. Alternatively, we might ask them to
write part of a guidebook for their area. When they have completed the task
(which will involve finding facts, planning content and writing the brochure
etc), we can then read their effort and do some language\writing study to help
them to do better next time.
It will be noticed immediately
that-based learning sequences fit very neatly into our boomerang lesson
description, where language activation is the first goal and study comes later
if and when appropriate.
COMUNICATIVE
LANGUAGE TEACHING:
This was a radio departure from the PPP- type
lesson which had tended to dominate language teaching. Communicative language
teaching has two main stands: the first is that language is not just bits of grammar;
it also involves language functions such as inviting, agreeing and disagreeing
etc. which students should learn how to use. They also need to be aware of the
need for appropriacy when talking and writing to people in terms of the kind of
language they use (formal, informal, tentative, technical etc.)
The second strand of communicative
language teaching developed from the idea that if the students get e3nough
exposure to language and opportunities for its use- and if they are motivated-
then language learning will take care of itself. In other words, the focus of
much communicative language teaching becomes what we have called activation,
and study tended to be downplayed to some extent.
Communicative language teaching has had
a thoroughly beneficial effect since it reminded teachers that people learn
language not so that they ‘know’ them, so that they can communicate. Giving
students different kind of language, pointing them to aspects of style and
appropriacy, and above all giving them opportunities to try out real language
within the classroom humanized what had sometimes been too regimented. Above
all, it stressed the need for activation and allowed us to consider boomerang –
and patchwork- type lesson where before they tended to be less widely used.
Debate still continue, of course,
Recent theory and practice have included: the introduction of discovery
activities (where students are asked to discover facts about language for
themselves rather tan have the teacher or book tell them. The lexical approach
in which it is argued that words and phrases are far building blocks for
language than grammatical structure; classroom stages being given new names to
help us describe teaching and learning in different ways; and the study of the
different between spoken and writing language to suggest different activities
and content on language course.
Whichever way of describing language
teaching prefer, the three elements described here- engage, study and activate-
are the basic building blocks for successful language teaching and learning. By
using them in different and varied sequences, teachers will be doing their best
promote their students success.
Conclusion
In this chapter we have
●
talk about the elements necessary to learn language in the ‘real’ world:
exposure, motivation and use.
● describe the three elements
necessary for successful teaching and learning in class: E(engage), S(study),
A(activate).
● describe three different lesson
sequences which contain the engage, study and activate elements. In straight
arrows lessons the order is E-S-A but in boomerang lessons, teachers may move
straight from an engage stage to an activate stage. Study can then be based on
how well students performed (E-A-S). patchwork classes mix the three elements
in various different sequences (e.g. E-A-A-S-A-S-E-A…..etc.).
● talked about the different models
which people have to describe teaching such as PPP (Presentation, Practice and
Production), task-based learning (which puts the task first and language study
last) and communicative language teaching ( with its twin emphasis on
appropriate language use and activation methodology).
● see how PPP is a form of straight
arrows lesson, while task- based learning is more like boomerang or patchwork
sequences. We point out that communicative language teaching was responsible
for the modern emphasis on the activate stages of lessons.
● mentioned in passing, some of the
issues which people are currently debating.
●point out that good teacher vary
that ESA sequences the yuse with their students – to avoid monotony and a range
of learning sequences. The three elements are always present, but in many
different combinations.
1.13
How to improve teaching quality
An announcement goes out to the faculty
that from now on the university will operate as a total quality management
campus. All academic, business, and service functions will be assessed
regularly, and quality teams will plan ways to improve them. A campus quality
director and a steering team are named, with the director reporting to the
Provost. All university departments appoint quality coordinators, who attend a
one-day workshop on quality management principles and return to their
departments to facilitate faculty and/or staff meetings at which quality
improvement is discussed.
Many faculty members are irate. They
argue that TQM was developed by and for industry to improve profits, industry
and the university are totally different, and talking of students as
"customers" is offensive and makes no sense. They make it clear that
they will have nothing to do with this scheme and will view any attempt to
compel them to participate as a violation of their academic freedom.
What happens then is…practically
nothing. Some changes are made in business and service departments, some
curricula are revised, and a few instructors make changes in what they do in
their classrooms but most go on teaching the way they have always taught. After
two or three years the steering committee writes its final report declaring the
program an unqualified success and disbands, and life goes on.
Higher education discovered total
quality management in the 1980s and quickly became enamored of it. Books like TQM
for Professors and Students (Bateman and Roberts 1992) and Total Quality
Management in Higher Education (Sherr and Teeter 1991) declared that TQM
could serve as a paradigm for improving every aspect of collegiate functioning
from fiscal administration to classroom instruction. Terms like "customer
focus," "employee empowerment," "continuous
assessment," and "Deming’s 14 principles" started appearing with
regularity in education journals and in administrative pronouncements on
campuses all over the country. Deming himself suggested the linkage between
quality management principles and education, claiming that "…improvement
of education, and the management of education, require application of the same
principles that must be used for the improvement of any process, manufacturing
or service" (Deming, 1994).
Some
academic programs and many individual faculty members have tried applying
quality principles in their work. Recent papers in engineering education
describe quality-based models for classroom instruction (Jensen and Robinson
1995; Shuman et al. 1996; Stedinger 1996; Latzgo 1997; Karapetrovic and
Rajamani 1998), curriculum reform and revision (Bellamy et al. 1994; Litwhiler
and Kiemele 1994; Summers 1995; Houshmand et al. 1996; Shelnutt and Buch 1996),
and department program planning and administration (Diller and Barnes 1994).
Nevertheless, after more than a decade of such efforts, TQM has not established
itself as the way many universities operate, especially in matters related to
classroom instruction.
Our concern in this paper is
specifically with teaching, as opposed to academic or research program
structure and administration. We first consider how an instructor can improve
the quality of instruction in an individual course, and then the more difficult
question of how an academic organization (a university, college, or academic
department) can improve the quality of its instructional program. In both
cases, we examine the potential contribution of quality management principles
to teaching improvement programs in light of the cultural differences between
industry and the university.
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